Using a secondary tiled texture inside the shader for mixing color textures doesn’t work well for me because of bad color mixing (at least in Unity PBR) but yes for the bump texture. If it is 200-foot superyacht deck I isolate the sector mesh where VR will be to increase the size of each individual UV( only for that sector). Export your model from Marvelous Designer to Substance Painter to add painting. And since object surfaces are always dirty with big patterns I prefer using UVs 1:1 and increasing resolution. Substance Alchemist if you created a dedicated collection of materials. I use also a AO texture on the real-time material for micro details shadow. Put a small amount of AO into the final color texture to simulate some radiosity shadow (in case AO is not used). This also let you understand if there are overlapping UVs. I bake AO in Substance Painter or better in Blender (using to Blender) and import it into Painter when starting. 2 days ago &0183 &32 Total spending on prescription drugs under a single-payer, universal pharmacare plan is expected to be 33.2 billion in 2024-25, rising to 38. Future real-time lightmaps will be awesome. Lightmaps are very nice but if the original textures are ok, real-time (and RTX) it’s good enough for now. Painter handles well using tri-planar projection instead of default UV projection.

For a hero object asset, I separate it into pieces with different UVs using 1:1 space. For example, for now, I do not use UDIMs UV setup. I never know what final destination can end up for the object so I try to build the textures as much as flexible as possible (I mean yes Lightmaps ready). I do not use lightmaps (in Unity) to increase fps and because I often move lights real-time (shadows) and takes too much lifetime. Yes, I prefer a game engine “Lightmaps” ready.

What approach to baking shadows do you take?īecause otherwise, you could have whatever UVs you want for the textures and separate UV channel (non-tiling) for the “Lightmap”.

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